AUDREY CHEN is a Chinese-American musician who was born into a family of material scientists, doctors and engineers, outside of Chicago in 1976. Parting ways with the family convention, she turned to the cello at age 8 and voice at 11. After years of classical and conservatory training in both instruments, with a resulting specialization in early and new music, she parted ways again in 2003 to begin new negotiations with sound in order to discover a more individually honest aesthetic.
Henrik Munkeby Nørstebø (born 1986 in Trondheim, Norway) is a trombonist working mostly within contemporary fields of music. Educated in improvised music and jazz from the music academies in Gothenburg (BA) and Oslo (MA), he is now based in the Norwegian capital.
Fire Museum Presents the Audrey Chen, Flandrew Fleisenberg and Margaret Rorison trio.
Audrey Chen has been trying to defy conventions all along first by choosing music as a career in a family of material scientists and then by moving away from classical and conservatory music to start her negotiations with sound & discover a more individually honest aesthetic. Chen uses the cello, voice and analog electronics and creates her own narrative & non-linear stories for her audiences.
Flandrew Fleisenberg plays percussion on an assortment of everyday ephemera and modified drum parts that he has reduced and eroded through a process of “play it and break it”.
A recent migrant from Boston, Fleisenberg is busily planting roots across Philadelphia co-curating the H-O-T improvised music and dance series as well ad hoc events around town. Fleisenberg has been involved in the improvised and creative music community since 2001 performing solo, in ad-hoc improv groupings and in set projects. Ongoing collaborators include: Josh Jefferson (Skinny Vinny), Neil Feather, Bonnie Kane/ Joo Won Park (I’m with Joo Won) and id m theftable.
Margaret Rorison has been making films since 2011. Before she discovered the magic of filmmaking, she spent most of her energy on poetry, painting and photography. Her current work often develops from extensive walks through rural and urban landscapes, combining memories, field recordings and text. She is interested in the potentials of storytelling through the use of live projection and sound.
This performance took place at The First Banana in Fishtown, Philadelphia.