Society of Composers at Berklee presents their fall semester concert. The concert celebrates and embraces diversity and inclusion at a time when people are becoming more divided than ever.
Compositions span a wide variety of themes and styles, and are performed by Berklee students with additional special guests from the community. All compositions are premieres, composed by Berklee students and recent alumni.
- Yotam Ishay: Three Preludes for Piano
- Life’s Little Moment: Jacquelyn Hazle
- Caught up in the Snow: Tina Kayal (composer) and Sarah Chong (piano)
- When Eyes Meet: Jan Vincent Huntenburg
- Copley 6:49 – 8 Miniatures: David Lee (arr. w/ Matt Scutchfield)
- Los Perros: Donovan Sierra, Sarah Chong (piano)
- On a Rainy Night: Tianyi Zhang (composer/pianist)
- Last Stage to a New World: Ben Delaney
- A Year After: Pedro Osuna (Composer), Tania Mesa (Violin I), Lily Lyons (Violin II), Yeh-Van Chen (Sandy) (Viola) and Parker Ousley (Cello)
- (Bye -) Escapade: Matt Scutchfield (Composer), Paul Meland (Saxophone), Matt Samolis (Flute), Lou Bunk (Viola), Ben Delaney (Violin) and Sarah Chong (Prepared Piano)
- Concertino: Lou Bunk (composer and conductor) and almost everyone above
Audio recording credits go to: Kenneth Jin.
Seven2 is one of Cage’s late numbers’ pieces scored for bass flute, bass clarinet, bass trombone, unspecified percussion, cello and contrabass.
In the scores for the number pieces, Cage used time bracketed short fragments to create parts which emerge in and out of silence and the overall tapestry of the ensemble.
Variations III, another of John Cage’s brainchilds, was dedicated to the late Lou Cohen who arranged performances of Cage’s Variations pieces for a number of years.
The score consists 42 transparencies with a circle on each, dropped on a sheet of paper. The result derives the number of actions and the number of variables that characterize an action. While some factors should be planned in advance, the performers should leave room for unforeseen eventualities and that any other activities are going on at the same time as the work is performed.
Performers: Deirdre Viau, Tom Plsek, Val Thompson, Daniel Levin, Kevin Dacey, Steve Norton, Michael Rosenstein, Howard Marin, Morgan Evans-Weiler, Jesse Kenas-Collins, Chris Johnson, Walter Wright, Joe Burgio, Seamus Williams, Jane Wang, and Lou Bunk.
Open Field Initiative and 119 Gallery present XFest 2016, a festival of improvised music, visuals and movement.
Helena Espvall started to play electric guitar as a bored teenager in northern Sweden, and went on to take cello lessons and was never bored again.
After having played in rock bands, a silent movie orchestra, an Arabian ensemble and being inspired to play free improvised music by a shocking Eugene Chadbourne performance, she moved to the US in 2000,where she spends much of her time collaborating with dancers, playing with folk psych band Espers and singing bossa nova and Swedish traditional songs.
Helena has performed several times at the Philadelphia Fringe Festival, twice at the High Zero Festival of improvised music in Baltimore, MD, at the Improvised and Otherwise Festival in Brooklyn, NY, at Big Sur experimental festival in California and at Terrastock 2006 & 2008 among others. Espvall has received grants for artist residencies in Mojacar, Spain and at CESTA in Tabor, Czech Republic, and was invited to play at OpenCircuit InterAct, an international festival for improvised music in Hasselt, Belgium, last May where she performed with Chris Corsano, Paul Flaherty, C. Spencer Yeh, Daniel Carter and others. In 2006 she released her debut solo album Nimis & Arx on Fire Museum/Pax records. She has worked with Lukas Ligeti, Fursaxa, Damon & Naomi, Bert Jansch, Masaki Batoh (Ghost), Vashti Bunyan and many more.
In the next movement, Helena Espvall improvises with Bardo Pond, a band loosely formed in 1989 by guitar wielding art student siblings, Michael and John Gibbons.
Bardo Pond became a reality in 1991 with the addition of vocalist and flautist, Isobel Sollenberger, bassist, Clint Takeda and drummer, Joe Culver (replaced in 1999 by trainee librarian, Ed Farnsworth).
Fire Museum Presents the Audrey Chen, Flandrew Fleisenberg and Margaret Rorison trio.
Audrey Chen has been trying to defy conventions all along first by choosing music as a career in a family of material scientists and then by moving away from classical and conservatory music to start her negotiations with sound & discover a more individually honest aesthetic. Chen uses the cello, voice and analog electronics and creates her own narrative & non-linear stories for her audiences.
Flandrew Fleisenberg plays percussion on an assortment of everyday ephemera and modified drum parts that he has reduced and eroded through a process of “play it and break it”.
A recent migrant from Boston, Fleisenberg is busily planting roots across Philadelphia co-curating the H-O-T improvised music and dance series as well ad hoc events around town. Fleisenberg has been involved in the improvised and creative music community since 2001 performing solo, in ad-hoc improv groupings and in set projects. Ongoing collaborators include: Josh Jefferson (Skinny Vinny), Neil Feather, Bonnie Kane/ Joo Won Park (I’m with Joo Won) and id m theftable.
Margaret Rorison has been making films since 2011. Before she discovered the magic of filmmaking, she spent most of her energy on poetry, painting and photography. Her current work often develops from extensive walks through rural and urban landscapes, combining memories, field recordings and text. She is interested in the potentials of storytelling through the use of live projection and sound.
This performance took place at The First Banana in Fishtown, Philadelphia.
Somewhere between a lullaby and a dirge, Sontag Shogun takes their lullanoise and tries to find the strange, eery moments that exist within beauty.
Sontag Shogun is an ambient, electronic piano trio comprised of former members from [the] slowest runner [in all the world]. Pooling their influences from modern classical, improvised and ambient musical spheres, they create longform shape-shifting compositions that are at times lush and melodic as well as textural and unpredictable.
Two thirds of the band:Jeremy Young(field recordings, tapes, amplified surfaces) and Ian Temple(electronic piano) collaborated with Cellist Aaron Martin for their show at Pageant : Soloveev Gallery in Philadelphia, PA.
This performance was part of the series called: Fire Museum Presents.
Began his musical life at age 11, switching between guitar and drums. At the age of 17, he decided to change paths and learn how to play the cello, which he went on to study in college. While earning his music degree, he began to experiment with recording.
After creating several self-released collections of music, and graduating college, he recorded Almond, which caught the attention of the Australian label Preservation, and became his debut release.
He has gone on to record two more albums for Preservation, River Water and Chautauqua as well as one album for Experimedia called Worried about the Fire.
He has also collaborated with a variety of other musicians, including Machinefabriek, Part Timer, Dawn Smithson (as Winter’s Day), and Dag Rosenqvist (as From the Mouth of the Sun), with releases on Type, Dronarivm, Facture, and Under the Spire Recordings.
Aaron Martin lives and records in Topeka, Kansas. His music may be found on his bandcamp page.
This was Martin’s debut performance at Pageant: Soloveev Gallery in Philadelphia, PA. The performance was part of the series called: Fire Museum Presents.
hosted performances by three acts from Philly and New Haven this Friday
part of the Archer Spade Performance Series.
The night started with 3 Philly Guitars playing a set of music composed by Travis Woodson, Carl Testa and Eric Slick:
“Lesbians With Victorian Sensibilities” (Travis Woodson)
“Slope II” (Cart Testa; written for bass and cello, arranged for three guitars)
“Gary & Monty” (Eric Slick; written for solo guitar, arranged for three guitars by Travis Woodson)
“Personality Donor (A Donor for 3)” (Travis Woodson; arranged for three guitars)
“Free” (Ornette Coleman)
Next, Carl Testa took the stage and played two of his pieces for solo String Bass and Electronics.
And finally, Broadcloth, New Haven’s trio known for playing Avant garde chamber music, took the stage and played three of their newer pieces including an Operetta composed by Adam Matlock.
Broadcloth is: Anne Rhodes,
July’s uncertainty music series featured Ben Shilrley(guitar) and the Scrimshaw Ensemble:
Nathan Bontrager on cello,
Adam Matlock on accordion,
Anne Rhodes voice,
& Carl Testa on bass.
The group performed a set of Ben’s original music followed by improvisational sets for duets. The group concluded the night by a piece for quintet written by Ben.
Broadcloth trio performed at John Slade Ely House in New Haven, CT last Friday with a set of their improvised music.
Broadcloth trio is:
Anne Rhodes, vocals
Nathan Bontrager, Cello &
Adam Matlock, accordion
They played 4 pieces of their music
The entire performance may be watched on YouTube:
While the following video shows the set performed by Brooklyn based harsh improv group: Prehistoric Horse.
Prehistoric Horse is:
David Grollman, percussion
Valerie Kuehne, cello &
Lucio Menegon, guitar
Finally, the two groups performed an encore piece for the crowd at Ely house:
The following picture, taken during the intermission, shows the instruments of Broadcloth