From The Hat Trio = flandrew fleisenberg + Clara Kebabian + Joshua Jefferson

The trio performed at Mobius in Central Square under the auspices of OpenSound series….

flunk = flandrew fleisenberg + lou bunk

Gordon Marshall once said:

Marcel Duchamp: funny phony. flandrew fleisenberg: Einstein of drums.

fleisenberg is a player of objects. Drums only fall peripherally into his spectrum, while he is mostly fascinated in coaxing out the inherent material characters of “mundane things”.

These wide manipulations of external implements draw an aural architecture within the performance space as the embodied performer moves within it. Fleisenberg’s movement actions in combination with his material conjuring, creates a discourse inside of a constantly breathing tactile space.

fleisenberg plays percussion on an ever changing assortment of ephemera and modified drum parts coaxing texture and tone both familiar and bizarre. Attentive to room resonance, ambience and collaborator, Fleisenberg playfully utilizes gravity, friction, acoustics and presence to explore space, time, and relationships.

A graduate of the School of the Museum of Fine Arts (Boston) with a focus in conceptual art, he is musically self-taught and has developed a cadre of idiosyncratic techniques that are all his own. Flandrew has been involved in the free improvisation community since 2001 performing solo, in ad-hoc improv groupings, and in set projects in venues small and large across the United States, Canada, and Mexico.

A resident of Philadelphia, Flandrew is active as the co-curator of the HOT Series, and the Director of the Impermanent Society.

Lou Bunk (b. 1972) is an American composer and improviser inspired by many forms of avant-garde artistic expression. His sonically rich and intricate music investigates sound and silence through extended instrumental techniques, microtones, amplified found objects, electronics, and generative approaches to texture and form.

In Memoriam: Lou Cohen & John Cage

Seven2 is one of Cage’s late numbers’ pieces scored for bass flute, bass clarinet, bass trombone, unspecified percussion, cello and contrabass.

In the scores for the number pieces, Cage used time bracketed short fragments to create parts which emerge in and out of silence and the overall tapestry of the ensemble.

Variations III, another of John Cage’s brainchilds, was dedicated to the late Lou Cohen who arranged performances of Cage’s Variations pieces for a number of years.

The score consists 42 transparencies with a circle on each, dropped on a sheet of paper. The result derives the number of actions and the number of variables that characterize an action. While some factors should be planned in advance, the performers should leave room for unforeseen eventualities and that any other activities are going on at the same time as the work is performed.

Performers: Deirdre Viau, Tom Plsek, Val Thompson, Daniel Levin, Kevin Dacey, Steve Norton, Michael Rosenstein, Howard Marin, Morgan Evans-Weiler, Jesse Kenas-Collins, Chris Johnson, Walter Wright, Joe Burgio, Seamus Williams, Jane Wang, and Lou Bunk.

Inuksuit Boston Premier at Arnold Arboretum

Composed by Pulitzer Prize winner John Luther Adams and performed in major cities around the globe, Inuksuit’s Boston Premier featured 90 New England-based percussionists dispersed throughout the conifer collection of the Arnold Arboretum.

Inuksuit is deeply influenced by John Luther Adams’ belief that music can contribute to the awakening of our ecological understanding.

Kadence Arts Team:

Producer: Maria Finkelmeier
Artistic Director: Amy Garapic
Project Assistant: Greg Jukes

XFest

Open Field Initiative and 119 Gallery present XFest 2016, a festival of improvised music, visuals and movement.

 

 

 

Fire Museum Presents: Jake Meginsky

JAKE MEGINSKY (percussion/electronics) has collaborated and performed with such artists as Milford Graves, Alvin Lucier, Joan Labarbara, Greg Kelley, Bhob Rainey, Vic Rawlings, Joe McPhee, Thurston Moore, William Parker, John Blum, Daniel Carter, Paul Flaherty, Arthur Brooks, Bill Nace, and John Truscinski.

HUCK magazine describes his work as “constantly transgressing the boundaries between acoustic and electronic, analog and digital” and continues, “invention is at the heart of Jake’s work even before he strikes a note.” Volcanic Tongue recently called Meginsky’s 2014 solo record, Lâ appel Du Vide, “a hallucinatory electro percussion masterpiece” and in the WIRE Magazine review of the album, Nick Cain writes, “the album uses little more than a couple of sounds, extracting often head spinning complexity from a minimum of means”.

Meginsky’s recordings can be found on Feeding Tube Records (Northampton, MA), Rel Records (Providence, RI), Open Mouth Records (Northampton, MA), Hells Half Halo (Seattle, WA), Wooden Finger Records (Belgium), Ultra Eczema Records (Belgium), and Ecstatic Peace Records (Northampton, MA). He recently remixed Body/Head’s (Kim Gordon & Bill Nace) “Last Mistress” for Matador Records (NYC).

Membrane Channel presents: aaron zarzutzki + richard kamerman + bhob rainey

Aaron Zarzutzki (Chicago)

Aaron Zarzutzki is an improviser of various sorts. He works primarily with misuse and perversion of objects and systems. Virtuosity, volatility, futility, and capability are thought of. Zarzutzki currently lives, works, and plays in Chicago.

Richard Kamerman (New York)

Richard Kamerman has been breaking electronics and crashing computers while trying to coax interesting and unpredictable sounds out of them for over a decade. Occasionally, he has also presented himself as a more serious composer of re-performable written music. Keywords: amplification, magnification, obfuscation, systems design, game theory, patterns, human error, accident, failure. Although a firm believer in the axiom that “one man’s trash is another man’s treasure,” he ceased collecting his instruments from piles of junk left on the curb several years ago, fearing he might bring home bedbugs. He additionally runs the small-press music label Copy For Your Records.

Bhob Rainey (Philadelphia)

Bhob Rainey is an award-winning composer / performer, saxophonist, and sound designer. In 1998, with trumpeter Greg Kelley, he founded the duo Nmperign, which quickly became a model for a new phase of non-idiomatic improvisation often referred to as “lowercase” or “EAI” (Electroacoustic Improvisation). In 2000 he founded The BSC, an improvising large ensemble, in which he developed techniques for an improvisational discipline that were eventually outlined in his 2011 publication, Manual. Throughout the late 1990’s and early 2000’s he performed globally and collaborated with numerous improvisers of both the (then) current and previous generations, including Axel Dörner, Andrea Neumann, Günter Müller, Michel Doneda, Lê Quan Ninh, and many others.

By the mid-2000’s, while continuing to work in the realm of improvisation, Rainey began to produce electronic and algorithmic works. He spent five years collaborating with German composer Ralf Wehowsky (RLW) on the 2007 release, I don’t think I can see you tonight, which, along with Nmperign and Jason Lescalleet’s Love Me Two Times (2006), established him as a formidable electronic composer who synthesizes streams of Musique Concréte, computer music, and improvisation.

Throughout his career, Rainey has sought out cross-discipline collaborations, working with dancers, filmmakers, and theater companies. From 2012-2014 he worked with theater company New Paradise Labs to create The Adults, which premiered at the 2014 Philadelphia Fringe Festival to much acclaim. He created the soundtrack to Leah Ross’s 2013 film, Levitate, which premiered that year at the Rooftop Film Festival in New York City, and he performed live in Jungwoong Kim’s and Marion Ramirez’s site-specific dance work, Capsized, at the National Asian American Theater Festival in Philadelphia in 2014.

fidget presents: Adam Vidiksis

Adam Vidiksis is a composer, conductor, percussionist, and technologist based in Philadelphia whose interests span from historically informed performance to the cutting edge of digital audio processing. Equally comfortable with both electronic and acoustic composition, his music has been heard in concert halls and venues around the world.

Vidiksis has become known for exploring new timbral soundscapes in his electronic and acoustic works, often using the computer not only as a means of enhancing and manipulating the sounds he produces, but as a digital performer on equal footing with its human counterparts.

Little Berlin Presents: Jarrett Gilgore + Matt Engle + Michael Szekely

Jarrett Gilgore is just making his mark in the Philadelphia jazz scene. Originally from Philadelphia, Gilgore lives in Baltimore where he studied at the Peabody Conservatory. Down in Baltimore he can be seen performing with people like John Dierker, Will Redman, Anthony Pirog, and Dave Ballou.

Matt Engle has been an active member of the Philadelphia creative and improvised music scene for over 15 years. He is a member of the Dan Blacksberg Trio, Bobby Zankel small group, and Sonic Liberation Front.

Michael Szekely is a drummer currently based in Philadelphia who has recorded/performed with greats including Anthony Braxton, Dave Liebman, Bobby Zankel, and Jack Wright.

Little Berlin Presents The Black Light Trio: Verrastro + Masri + Fishkin

The trio is:

Scott Verrastro, Percussion
Julius Masri, Percussion
David Fishkin, Saxophone

Scott Verrastro is a Kohoutek drummer and percussionist, who has collaborated with Peter Brotzmann, John Dikeman, and Khan Jamal. Joining him is percussionist Julius Masri and saxophonist David Fishkin.

Julius Masri, born in Lebanon, started playing music state side in the early 90s. He attended Bard College where he studied composition with Joan Tower, percussion with Thurman Barker (AACM), and experimental sonic improvisation with Richard Teitelbaum (MEV). Aside from focusing on trap set and circuit bent electronics, Julius stays up late at night worrying about the gray space between the immediate transcending experience of sonic phenomenon, the immediate aural complacency when confronting idiomatic music, and the attempt to reconcile both worlds in the most uncomfortable fashion possible. He currently performs in Chakra Khan/Air Pirates, Electric Simcha, TinMouth, Q-1, as well as many pickup projects with creative people in any number of artistic denominations. Julius is an Aries, and loathes walks on the beach.

David Fishkin was not born so much as he shot out like a cannonball. He started playing saxophone at age 7. Later, he attended Oberlin College. In between semesters, he studied with the great Philadelphia-based saxophone player Odean Pope. Since then, David has worked as a musician and teacher.