Fire Museum Presents Audrey Chen + Flandrew Fleisenberg + Margaret Rorison

Fire Museum Presents Audrey Chen + Flandrew Fleisenberg + Margaret Rorison
Fire Museum Presents Audrey Chen + Flandrew Fleisenberg + Margaret Rorison

Fire Museum Presents the Audrey Chen, Flandrew Fleisenberg and Margaret Rorison trio.

Audrey Chen has been trying to defy conventions all along first by choosing music as a career in a family of material scientists and then by moving away from classical and conservatory music to start her negotiations with sound & discover a more individually honest aesthetic. Chen uses the cello, voice and analog electronics and creates her own narrative & non-linear stories for her audiences.

Flandrew Fleisenberg plays percussion on an assortment of everyday ephemera and modified drum parts that he has reduced and eroded through a process of “play it and break it”.

A recent migrant from Boston, Fleisenberg is busily planting roots across Philadelphia co-curating the H-O-T improvised music and dance series as well ad hoc events around town. Fleisenberg has been involved in the improvised and creative music community since 2001 performing solo, in ad-hoc improv groupings and in set projects. Ongoing collaborators include: Josh Jefferson (Skinny Vinny), Neil Feather, Bonnie Kane/ Joo Won Park (I’m with Joo Won) and id m theftable.

Margaret Rorison has been making films since 2011. Before she discovered the magic of filmmaking, she spent most of her energy on poetry, painting and photography. Her current work often develops from extensive walks through rural and urban landscapes, combining memories, field recordings and text. She is interested in the potentials of storytelling through the use of live projection and sound.

This performance took place at The First Banana in Fishtown, Philadelphia.

By Kinan Faham

"the Silent Camera" was conceived in 2009 and was inspired by the music of Arvo Part especially his piece "Silentium". I perceive the modern world as oscillating between two extremes that are analogous to two of Arvo Part's pieces: "Perpetuum Mobile" represents the hustle and bustle of everyday life, the sea of people surrounding you, the noise in the streets, the deadlines, the challenges and the lessons to learn, the new technologies and risks facing our civilization, the musical pieces you learn [or fail to master],.. etc. "Silentium" represents the resolution of every musical note, every spoken word and every movement of your day. It is the moment that you are most likely to remember after the day's noise has settled and its turbulence has subsided. It is the moment that we all crave and the moment that will allow us to persist to the next day when the Perpetuum Mobile cycle starts again.

Shouts and Murmurs go here!