Fire Museum Presents: Helena Espvall + Bardo Pond

Fire Museum Presents: Helena Espvall + Bardo Pond
Fire Museum Presents: Helena Espvall + Bardo Pond

Helena Espvall started to play electric guitar as a bored teenager in northern Sweden, and went on to take cello lessons and was never bored again.

After having played in rock bands, a silent movie orchestra, an Arabian ensemble and being inspired to play free improvised music by a shocking Eugene Chadbourne performance, she moved to the US in 2000,where she spends much of her time collaborating with dancers, playing with folk psych band Espers and singing bossa nova and Swedish traditional songs.

Helena has performed several times at the Philadelphia Fringe Festival, twice at the High Zero Festival of improvised music in Baltimore, MD, at the Improvised and Otherwise Festival in Brooklyn, NY, at Big Sur experimental festival in California and at Terrastock 2006 & 2008 among others. Espvall has received grants for artist residencies in Mojacar, Spain and at CESTA in Tabor, Czech Republic, and was invited to play at OpenCircuit InterAct, an international festival for improvised music in Hasselt, Belgium, last May where she performed with Chris Corsano, Paul Flaherty, C. Spencer Yeh, Daniel Carter and others. In 2006 she released her debut solo album Nimis & Arx on Fire Museum/Pax records. She has worked with Lukas Ligeti, Fursaxa, Damon & Naomi, Bert Jansch, Masaki Batoh (Ghost), Vashti Bunyan and many more.

 

In the next movement, Helena Espvall improvises with Bardo Pond, a band loosely formed in 1989 by guitar wielding art student siblings, Michael and John Gibbons.

Bardo Pond became a reality in 1991 with the addition of vocalist and flautist, Isobel Sollenberger, bassist, Clint Takeda and drummer, Joe Culver (replaced in 1999 by trainee librarian, Ed Farnsworth).

By Kinan Faham

"the Silent Camera" was conceived in 2009 and was inspired by the music of Arvo Part especially his piece "Silentium". I perceive the modern world as oscillating between two extremes that are analogous to two of Arvo Part's pieces: "Perpetuum Mobile" represents the hustle and bustle of everyday life, the sea of people surrounding you, the noise in the streets, the deadlines, the challenges and the lessons to learn, the new technologies and risks facing our civilization, the musical pieces you learn [or fail to master],.. etc. "Silentium" represents the resolution of every musical note, every spoken word and every movement of your day. It is the moment that you are most likely to remember after the day's noise has settled and its turbulence has subsided. It is the moment that we all crave and the moment that will allow us to persist to the next day when the Perpetuum Mobile cycle starts again.

Shouts and Murmurs go here!