The Nick Millevoi of Many Arms,Deveykus,The Archer Spade Music Series and many more musical projects debuted his latest and greatest brainchild: The Nick Millevoi Bug Out! Quintet.
Explorers of free improv jazz, the Quintet is:
Nick Millevoi, guitar
Dan Blacksberg, trombone
Julius Masri, circuit bent electronics
Pete McRae, bass
Ricardo Lagomasino, drum
Multi-wind instrumentalist Steve Baczkowski lives in Buffalo, NY where he works as a conduit for creative music of any & every sort. Baczkowski began playing alto saxophone at age eight, switched to baritone by the time he was twelve, and has since developed a wide array of woodwind styles & formidable breathing techniques.
In addition to organizing the Buffalo Improvisers Orchestra, and the Buffalo Suicide Prevention Unit, Baczkowski performs solo and at frequent collaborations with like-souled folks from around the world.
Bill Nace is one of the premiere avant-garde guitarists active today. He has one of the most personal and unique pallets of sound ever to be culled from an electric guitar. Nace creates a distinct, mind-bending cacophony and focuses his textures with intense precision and control.
Flandrew Fleisenberg plays percussion on an assortment of everyday ephemera and modified drum parts that he has reduced and eroded through a process of playing and breaking.
A graduate of the School of the Museum of Fine Arts, Boston with a focus on conceptual art, he is musically self-taught and has developed a cadre of idiosyncratic techniques that are all his own.
Fleisenberg has been involved in the improvised and creative music community since 2001 performing solo, in ad-hoc improv groupings and in set projects. Additionally, he organizes an ongoing series of performances at the flopera house in Boston.
Drums Like Machine Guns is an experimental noise group comprised of the Morsberger brothers. They’ve been at it in Philly for years and the spontaneity and shock of their live show is always an entertaining twist on expectations…
Somewhere between a lullaby and a dirge, Sontag Shogun takes their lullanoise and tries to find the strange, eery moments that exist within beauty.
Sontag Shogun is an ambient, electronic piano trio comprised of former members from [the] slowest runner [in all the world]. Pooling their influences from modern classical, improvised and ambient musical spheres, they create longform shape-shifting compositions that are at times lush and melodic as well as textural and unpredictable.
Two thirds of the band:Jeremy Young(field recordings, tapes, amplified surfaces) and Ian Temple(electronic piano) collaborated with Cellist Aaron Martin for their show at Pageant : Soloveev Gallery in Philadelphia, PA.
This performance was part of the series called: Fire Museum Presents.
Began his musical life at age 11, switching between guitar and drums. At the age of 17, he decided to change paths and learn how to play the cello, which he went on to study in college. While earning his music degree, he began to experiment with recording.
After creating several self-released collections of music, and graduating college, he recorded Almond, which caught the attention of the Australian label Preservation, and became his debut release.
He has gone on to record two more albums for Preservation, River Water and Chautauqua as well as one album for Experimedia called Worried about the Fire.
He has also collaborated with a variety of other musicians, including Machinefabriek, Part Timer, Dawn Smithson (as Winter’s Day), and Dag Rosenqvist (as From the Mouth of the Sun), with releases on Type, Dronarivm, Facture, and Under the Spire Recordings.
Aaron Martin lives and records in Topeka, Kansas. His music may be found on his bandcamp page.
This was Martin’s debut performance at Pageant: Soloveev Gallery in Philadelphia, PA. The performance was part of the series called: Fire Museum Presents.
In April 2014, Nick Millevoi released his latest [and greatest] album: Numbers on the Side.
Numbers on the Side is Nick’s fourth solo guitar recording, picking up where 2012’s In White Sky (The Flenser) left off, using the 12-string electric guitar to delve more deeply into feedback, drone, and noise.
Recorded in July 2013 at West Philadelphia’s Rotunda by engineer Eric Carbonara, the sound of this album relies heavily on the 103-year-old building’s high ceilings and 80-ft dome to help create the sonic space for this intense music.
The video was taken during the release show at Pageant: Soloveev Gallery in Philadelphia.
In March, Philadelphia based guitarist Eric Carbonara released Tributes and Diatribes with harpist Jesse Sparhawk on VHF Records.
Told in the form of solo instrumental guitar, Carbonaraʼs lyrical playing offers the listener seven personal autobiographical narratives that play out as carefully shaped thematic song poems.
Carbonaraʼs playing draws on an array of rich musical styles from Andalusian Roma-Flamenco to Hindustani classical. Over the years he has developed a unique exalted pidgin style of playing that covers a wide emotional terrain from meditative calm to restless unease by combining self-taught, free form classical and flamenco techniques with those learned from formal studies in India from master Hindustani slide guitarist, Debashish Bhattacharya.
The performance took place at Pageant: Soloveev Gallery